Michael Crichton's a dick

And a bad writer. But putting a vocal critic of your anti-global warming screed as a child rapist takes the cake.

Alex Burnet was in the middle of the most difficult trial of her career, a rape case involving the sexual assault of a two-year-old boy in Malibu. The defendant, thirty-year-old Mick Crowley, was a Washington-based political columnist who was visiting his sister-in-law when he experienced an overwhelming urge to have anal sex with her young son, still in diapers. Crowley was a wealthy, spoiled Yale graduate and heir to a pharmaceutical fortune [...]

It turned out Crowley's taste in love objects was well known in Washington, but [his lawyer]--as was his custom--tried the case vigorously in the press months before the trial, repeatedly characterizing Alex and the child's mother as "fantasizing feminist fundamentalists" who had made up the whole thing from "their sick, twisted imaginations." This, despite a well-documented hospital examination of the child. (Crowley's penis was small, but he had still caused significant tears to the toddler's rectum.)

Here's the real-life Michael Crowley, he of The New Republic, with his response.

The next page contains fleeting references to Crowley as a "weasel" and a "dickhead," and, later, "that political reporter who likes little boys." But that's it--Crowley comes and goes without affecting the plot. He is not a character so much as a voodoo doll. Knowing that Crichton had used prior books to attack very real-seeming people, I was suspicious. Who was this Mick Crowley? A Google search turned up an Irish Workers Party politician in Knocknaheeny, Ireland. But Crowley's tireless advocacy for County Cork's disabled seemed to make him an unlikely target of Crichton's ire. And that's when it dawned on me: I happen to be a Washington political journalist. And, yes, I did attend Yale University. And, come to think of it, I had recently written a critical 3,700-word cover story about Crichton. In lieu of a letter to the editor, Crichton had fictionalized me as a child rapist. And, perhaps worse, falsely branded me a pharmaceutical-industry profiteer.

It's an act of extreme cowardice to turn anger over being criticized into a fictional character. Crichton has no belief in his own capacity for argument and debate, so he hurls insults within the body of his novel.

It's been my experience that many writers are a-holes. Crichton is cementing that characterization.