Tale Of Two

I try extremely hard not to watch the cable nets anymore, but I'm sure they're going on and on about David Letterman's extortion plot and his revelation of an affair with a former assistant. The plotter was a CBS News employee who lived with the former assistant and found out about the trysts from her diaries. It's unclear whether Letterman was married at the time of the affairs - though probably not. Point being, he immediately came clean and stopped the extortionist, people stray and it's his personal life and all that.

But as long as we're talking about affairs and payoffs and the rest, it should be noted that while Letterman didn't give in to the extortion, John Ensign did, and may have broken multiple laws in the process.

Early last year, Senator John Ensign contacted a small circle of political and corporate supporters back home in Nevada — a casino designer, an airline executive, the head of a utility and several political consultants — seeking work for a close friend and top Washington aide, Douglas Hampton.

“He’s a competent guy, and he’s looking to come back to Nevada. Do you know of anything?” one patron recalled Mr. Ensign asking.

The job pitch left out one salient fact: the senator was having an affair with Mr. Hampton’s wife, Cynthia, a campaign aide. The tumult that the liaison was causing both families prompted Mr. Ensign, a two-term Republican, to try to contain the damage and find a landing spot for Mr. Hampton.

In the coming months, the senator arranged for Mr. Hampton to join a political consulting firm and lined up several donors as his lobbying clients, according to interviews, e-mail messages and other records. Mr. Ensign and his staff then repeatedly intervened on the companies’ behalf with federal agencies, often after urging from Mr. Hampton.

While the affair made national news in June, the role that Mr. Ensign played in assisting Mr. Hampton and helping his clients has not been previously disclosed. Several experts say those activities may have violated an ethics law that bars senior aides from lobbying the Senate for a year after leaving their posts [..]

And Mr. Ensign allowed Senator Tom Coburn, a friend and fellow conservative Christian, to serve as an intermediary with the Hamptons in May in discussing a large financial settlement, to help them rebuild their lives.

This will undoubtedly be the last thing I write about this, but I wonder if that comparison will ever be made by the Sarah Palin acolytes or other Letterman-haters on the right?

Can We Get Letterman To Anchor The Evening News, Then?

It's pretty revolting that the only guy on the media landscape who can ask a decent follow-up question is a comedian.

Letterman questioned him about Palin's claim that Democratic presidential candidate Barack Obama "palled around with terrorists," and McCain backed her up, saying his opponent need to better explain his relationship with former Weather Underground activist William Ayers.

"Did you not have a relationship with Gordon Liddy?" Letterman asked about Watergate burglar G. Gordon Liddy.

McCain said he knew him. Then, after a commercial break, McCain said, "I know Gordon Liddy. He paid his debt, he went to prison ... I'm not in any was embarrassed to know Gordon Liddy."

"You understand the same case could be made of your relationship with him as is being made with William Ayers?" Letterman said.

McCain said he has been completely open about his relationship with Liddy.

Letterman appeared to ridicule McCain about the implication that Obama and Ayers had a relationship.

"Are they double-dating, are they going to dinner, what are they doing?" Letterman asked. "Are they driving across country?"

"Maybe going to Denny's," McCain said.

Letterman said that Obama was 8 when Ayers was 29, and McCain appeared exasperated. "There's millions of words said in a campaign. C'mon, Dave," he said.

That, people, is how you interview someone. The idea that you can't ask tough questions because you might offend someone's delicate sensibilities is absurd. And yes, Gordon Liddy is a domestic terrorist.

Media Matters for America has previously noted McCain's ties to Liddy. Liddy served four and a half years in prison in connection with his conviction for his role in the Watergate break-in and the break-in at the office of the psychiatrist of Daniel Ellsberg, the military analyst who leaked the Pentagon Papers. Liddy has acknowledged preparing to kill someone during the Ellsberg break-in "if necessary"; plotting to kill journalist Jack Anderson; plotting with a "gangland figure" to kill Howard Hunt to stop him from cooperating with investigators; plotting to firebomb the Brookings Institution; and plotting to kidnap "leftist guerillas" at the 1972 Republican National Convention -- a plan he outlined to the Nixon administration using terminology borrowed from the Nazis. (The murder, firebombing, and kidnapping plots were never carried out; the break-ins were.)

But he's a radio host, so he's a media member in good standing, I guess.

Late-Night Reviews!

First in a one-part series.

Watching Letterman last night was at times like watching a revue at a union hall. There were frequent references to the writer's strike, including a direct appeal to the networks, ON THEIR OWN MEDIA, to negotiate in good faith. It was somewhat subversive and dangerous. Even the shows that were forced back on the air by management had some nice words for the writers.

There was also plenty of free on-air promotion for the guild's cause.

"The writers are correct, by the way. I'm a writer ... I'm on the side of the writers," Leno said.

"I want to make this clear. I support their cause," O'Brien said. "These are very talented, very creative people who work extremely hard. I believe what they're asking for is fair."

Letterman, who had grown a gray beard, brought writers on to recite a top 10 list of their strike demands. They included "complimentary tote bag with next insulting contract offer" and "Hazard pay for breaking up fights on `The View.'"

Apparently, Jimmy Kimmel was more of a good little company man. Doesn't surprise me.

The award for cluelessness goes to Mike Huckabee.

Huckabee said he supports the writers and did not think he would be crossing a picket line, because he believed the writers had made an agreement to allow late-night shows on the air. But that's not the case with Leno; "Huckabee is a scab," read one picket sign outside Leno's Burbank, Calif., studio.

The writers guild urged Huckabee not to cross their picket line after he flew out to California. But Huckabee appeared on Leno, even showing off his electric guitar playing with the band.

"Huckabee claims he didn't know," chief union negotiator John Bowman said. "I don't know what that means in terms of trusting him as a future president."

Bowman obviously hasn't been paying much attention. Huckabee doesn't know much of ANYTHING.

They Don't Respect Labor

I would say that it's telling that Hillary Clinton is appearing over on Letterman tonight, the one late-night show that has settled with its writers, while Mike Huckabee is crossing a picket line to appear on Jay Leno's show.

Also, it doesn't seem like Hillary's leaving Iowa to tape Letterman, while Huckabee is leaving the state where his advantage is tenuous at best to whoop it up with Jay.

Also, Jay is the guy most responsible for getting Arnold Schwarzenegger elected, he emceed his victory party, and Fred Thompson announced on his show. So the battle lines are clearly drawn.

With any luck, Huckabee will beat a picketer with his own sign and show just how much he thinks of the American worker!

UPDATE: Huckabee is also busy faulting Mitt Romney for not using the apparatus of the state to kill more people, which as we all know is a good Christian value.

Hollywood Working Class

I work in TV, normally in the "obscure show on the digital cable channel you probably don't get" genre. So I've been following the Writer's Guild strike with interest. The WGA went out at least in part over allowing me and other storytellers who work in "unscripted" TV the ability to join their union. Everything I've ever worked on has had a script, so I don't get the "unscripted" moniker. And whether you wrote the script before or after the taping, whoever generated it ought to get the same kind of benefits.

That's why I'm excited that David Letterman's show struck a deal with their writers, outside the cartel of studios, to bring them back to work.

David Letterman has secured a deal with the striking Writers Guild of America that will allow him to resume his late-night show on CBS next Wednesday with his team of writers on board, executives of several late-night shows said today.

Most of television’s late-night shows are scheduled to return to the air that night after being off for two months due to the strike, but it is likely that only Mr. Letterman, and the show that follows him on CBS hosted by Craig Ferguson, will be supported by material from writers.

The reason is that Mr. Letterman’s company World Wide Pants, owns both those shows. The company announced two weeks ago that it was seeking a separate deal with the guild that would permit the two World Wide Pants show to return to the air. The talks seemed to be at an impasse until today when the deal was completed.

There's a solidarity in Hollywood that I've rarely seen since I've been here, which is to say, there's solidarity in Hollywood. Other unions like the DGA and SAG are talking about putting up a united front. The writers are on the verge of chasing the Golden Globes off the air, and their new media strategy is paying off in public opinion. Now they're creating cracks in the cartel that wants to take this as far as they can go and bust the union.

I have learned: that the CEOs are deeply entrenched in their desire to punish the WGA for daring to defy them by striking and to bully the writers into submission on every issue, and that the moguls consider the writers are sadly misguided to believe they have any leverage left. I'm told the CEOs are determined to write off not just the rest of this TV season (including the Back 9 of scripted series), but also pilot season and the 2008/2009 schedule as well. Indeed, network orders for reality TV shows are pouring into the agencies right now. The studios and networks also are intent on changing the way they do TV development so they can stop spending hundreds of millions of dollars in order to see just a few new shows succeed. As for advertising, the CEOs seem determined to do away with the upfront business and instead make their money from the scatter market.

They want to make it impossible to work your way up as a writer. They'd rather use these nonunion shows, shit like American Gladiators (it's back!), and tell the writers to piss off, thinking that they'll crack. They should hear from the fans. FDL has a great tool you can use to write the studio heads and tell them to stop being so damn greedy. They can make it on $119 billion in profit a year instead of $120, while the people they owe those billions to are fairly compensated. If a small company like Letterman's can reach a deal, the AMPTP cartel can. Tell them to get back to the negotiating table so your favorite shows can get back on the air.

Writer's Strike Update

Things are moving on a variety of fronts in the WGA strike. While the AMPTP stalls and makes baseless charges, the Guild is trying some novel approaches. Not only have they filed an unfair labor practices charge against the AMPTP for walking away from a good-faith negotiation, they are challenging the very idea of bargaining with a cartel like the AMPTP itself.

Confronted with a logjam in its contract talks with the studios, the Writers Guild of America is trying a new tack: Divide and conquer.

On Monday, the union representing 10,500 striking writers plans to approach the major companies of the Alliance of Motion Picture and Television Producers about negotiating with them individually, a move aimed at exploiting perceived cracks in the alliance and getting at least some of the studios back to the bargaining table.

"We want to do everything in our power to move negotiations forward and end this devastating strike," the guild's negotiating committee said in a letter to be sent to union members today. "The internal dynamics of the [alliance] make it difficult for the conglomerates to reach consensus and negotiate with us on a give-and-take basis."

This approach is already bearing fruit. David Letterman's company, Worldwide Pants Inc., has agreed to negotiate their own deal with the writers . Because Letterman owns his program (as well as Late Night with Craig Ferguson), he can break with the AMPTP cartel and make this deal.

(I just want to step in and say that AMPTP.com is maybe the funniest parody site I've seen in a long time.)

But all is not well. With the AMPTP furious over these cracks in their united front (some would call it collusion), they've leaned on some of their stars to return to work.

Jay Leno and Conan O'Brien will return to late-night TV with fresh episodes on Jan. 2, two months after the writers' strike sent them into repeats, the network said Monday.

The "Tonight" show and "Late Night" will return without writers supplying jokes. NBC said the decision was similar to what happened in 1988, when Johnny Carson brought back the "Tonight" show two months into a writers' strike.

A similar return — with writers — appears in the works for David Letterman. The union representing striking writers said over the weekend that it was willing to negotiate deals with individual production companies, including Letterman's Worldwide Pants.

It's disappointing that Leno and O'Brien aren't willing to hold out and see the big picture, but of course they are under contract. It's telling that this move was made as soon as Letterman signaled his intention to strike a deal with the writers.

However, in contrast to this action, it appears that the writer's strike is opening up eyes about what it means to work in this country, about what it means to stand together for worker's rights. The DGA, after flirting with starting negotiations with the AMPTP, has demurred. The writers are promoting separate labor issues like the plight of FedEx workers being called "independent contractors" so management can avoid providing benefits. And they're aiding in significant victories for the worker's rights movement.

In a memo issued this afternoon, MTV Networks performed a near-180, relenting to complaints from freelancers who were told last week their benefits would be cut. "We've implemented a process for evaluating freelance and temporary employee positions for possible conversion to staff positions," reads the announcement from JoAnne Griffith, MTVN's executive vice president for HR. "This process is currently underway." Freelancers will now have the choice to continue with their current health plan—including dental!—or sign on to MTV's Aetna plan. Either way, they won't have to make the decision until February of next year, nearly three months after the original deadline set by the company last week.

The writer's strike is one of the most high-profile labor actions of the last 30 years. It's crystallizing a lot of ideas about basic fairness for workers. This is maybe the most positive by-product of this important action.